Anita Loos - Wikipedia. Anita Loos. Born. Corinne Anita Loos(1. April 2. 6, 1. 88. Sisson, California, United States. Mae Marsh as a Belgian girl and A. Gibbons as a German soldier in Goldwyn's all. The Wild Girl of the Sierras (1916) The Marriage of Molly-O. Died. August 1. 8, 1. New York City, New York, United States. Resting place. Etna Cemetery, Etna, California. Occupation. Actress, novelist, screenwriter. Years active. 19. She wrote film scripts from 1. D. W. Griffith put her on the payroll at Triangle Film Corporation. She went on to write many of the Douglas Fairbanks films, as well as the stage adaptation of Colette. Loos had two siblings: Gladys and Clifford (Harry Clifford), a physician and co- founder of the Ross- Loos Medical Group. On pronouncing her name, Loos is reported to have said, . However, I myself pronounce my name as if it were spelled luce, since most people pronounce it that way and it was too much trouble to correct them. Beers Loos, founded a tabloid for which her mother, Minerva . Eventually Beers Loos' spendthrift ways caught up with them, and in 1. Beers Loos took an offer to manage a theater company in San Diego. It was around this time that she started shaving years off her true age. Loos had known she wanted to be a writer since she was six, and she also wanted to free herself of the shackles of stock performance. After graduating from high school, Loos devised a method of cobbling together published reports of Manhattan social life, mailing them to a friend in New York who would submit them under their own name for publication in San Diego. Her father had turned out some one- act plays for the stock company, and encouraged Anita to work in the field herself. Wild Girl of the Sierras (1916) Ten film nie ma jeszcze zarysu fabu. Popular silent film actor Robert Harron was born Robert Emmett Harron on April 12th. Wild Girl of the Sierras, A (1916). The Wild Girl of the Sierras (1916) The Wild Goose Chase (1915) A Wild Goose Chase (1919) A Wild Goose Chaser (1925) Wild Heather (1921) Wild Honey (1918) Wild Honey. Meena, a Pennsylvania Dutch girl, is left wealthy when her parents die. She wrote The Ink Well, a successful piece for which she would receive periodic royalties. Griffith, was her third screenplay and the first to be produced. Loos dredged real life and real situations for her scenarios: she dished up her father's cronies, her brother's friends and the rich vacationers from the San Diego resorts; eventually every experience became grist for her script mill. Between 1. 91. 2 and 1. In 1. 91. 5, trying to escape her influence, Loos married her first husband, Frank Pallma, Jr., the son of the band conductor. Accompanied by her mother, Anita joined the film colony in Hollywood where Griffith put Loos on the payroll for Triangle Film Corporation at $7. Some he considered unfilmable because the . Instead of returning to Hollywood, Loos spent the fall of 1. New York and met with Frank Crowninshield of Vanity Fair. They had an instant rapport, and Loos would remain a Vanity Fair contributor for several decades. Loos and company realized that Douglas Fairbanks' acrobatics were an extension of his effervescent personality and parlayed his natural athletic ability into swashbuckling adventure roles. His Picture in the Papers (1. The name was something like this: 'Count Xxerkzsxxv.' Then there was a note, 'To those of you who read titles aloud, you can't pronounce the Count's name. You can only think it.' . During this time Loos, Fairbanks and Emerson collaborated well together, and Loos was getting as much publicity as either Lillian Gish or Pickford. He would readily admit that he . She would be wrong on both counts. She would later write: . In addition to their film . Though the scripts carried both names, they were mostly products of Loos alone. Later Loos would claim that Emerson took all the money and most of the credit for projects, even though his contribution usually consisted of observing from bed as Loos worked. When their contract was not renewed, he blamed her scripts, though he had claimed credit for them. When William Randolph Hearst offered Loos a contract to write a picture for his mistress Marion Davies. Hearst liked the picture and Getting Mary Married (1. Marion Davies pictures that didn't lose money. Both A Temperamental Wife (1. A Virtuous Vamp (1. Talmadge. The Schenck studios filmed in a New York warehouse, and Loos and Emerson occupied suites at the Algonquin. Individually Anita liked many members of the Algonquin Round Table, but as a group she found them overwhelming. In the spring of 1. Talmadges and the Schencks at the Ambassador Hotel on Park Avenue, with Constance, filling the void left by the loss of her sister many years before. When Anita and Constance weren't working, they went shopping. The Talmadge- Schencks convinced Anita to summer with them in Paris without Emerson. Much of this adventure would end up as fodder for Loos's book Gentlemen Prefer Blondes. When they returned, they produced five more films in 1. Emerson still received his full salary, though reputedly made few appearances on set and the script credit continued to name both of them. Emerson's assistant, who had taken up the workload on set, objected to the lack of credit and unfair reimbursement and was subsequently replaced. The new assistant director had eyes for Loos, who had filed for divorce from her estranged first husband. Emerson proposed marriage. They were married at the Schenck estate on June 1. Loos was among the first to join Ruth Hale's Lucy Stone League, an organization that fought for women to preserve their maiden names after marriage. Hale, wife of playwright Heywood Broun had struggled to get a U. S. They spent the summer in Paris. Leaving Loos and her new assistant, John Ashmore Creeland, to visit many of the Paris- based writers Loos had met in America, as well as Gertrude Stein and Alice B. Toklas, and Elisabeth Marbury and Elsie De Wolfe. Loos was soon spending time with Elsa Maxwell and Dorothy Gordon . After working with Actors Equity during their 1. Loos- Emerson team should make the move to the theater. Their first play, The Whole Town's Talking, which opened at the Bijou Theatre on August 2. Soon afterward the couple moved to a small house in Gramercy Park. Emerson had convinced a devastated Loos that he needed to take a break from his marriage once a week. It was on these days he would date younger women, while Loos consoled herself by entertaining her friends: the Talmadge sisters, Mama Peg Talmadge, Marion Davies, Marilyn Miller, Adele Astaire and an assortment of chorus girls kept by prominent men. Mencken and when he was in New York, she would take a break from her . Loos adored Mencken with what may have been love and preferred this group over the Round Table. She gradually realized Emerson paled in comparison to someone like Mencken, and disappointingly, high- IQ gentlemen didn't fall for women with brains, but those with more . She was a practical young woman who had internalized the materialism of the United States in the 1. Pushed by Mencken, she signed with Boni & Liveright. Modestly published in November 1. The initial reviews were rather bland and unimpressive, but through word of mouth it became the surprise best- seller of 1. Loos garnered fan letters from fellow authors William Faulkner, Aldous Huxley and Edith Wharton, among others. The little book would see 8. Chinese. Dorothy Shaw was modeled after herself and Constance Talmadge, and Lorelei herself most closely resembled acquisitive Ziegfeld showgirl, Lillian Lorraine, who was always looking for new places to display the diamonds bestowed by her suitors. Emerson, perhaps foreseeing the success of Blondes as a threat to his control over Loos, first attempted to suppress its publication, and then merely settled on a personal dedication. Loos continued to be overworked throughout 1. In the spring of 1. Chicago, and ran for 2. Broadway. Emerson by this time had developed a serious case of hypochondria, using imaginary laryngitis attacks to garner attention away from her work. At the last minute, Emerson feigned being unwell and insisted Loos continue alone. Arriving in London, she was promptly taken under the wing of socialite Sibyl Colefax, whose drawing room had become a salon filled with . Photos of Loos on the social scene in London appeared in the New York papers, and Emerson's subsequent whisper- throated . Emerson finally joined Loos in London, and to keep his spirits up she took him to the theater every night. It worked: at times he forgot to continue his act and spoke in normal tones. The couple continued on to Paris, where Loos renewed old friendships and made new ones. Emerson's recovery was remarkable. In September, their vacation was cut short; Loos was needed back in New York to do revisions on Blondes for its Broadway debut. Despite them, Blondes closed in April 1. Leisure time. A seriously ill but still devoted Loos followed him, always being left one hotel behind. When Loos came down with a sinus attack in Vienna, she and the ear, nose and throat specialist who was treating her came up with a method of . This placebo treatment did the trick and when they returned a cured Emerson took great pleasure in showing off his little sloshy trophy. Not wanting to undo all her efforts, Loos retired to a life of leisure. The first film version of Gentlemen Prefer Blondes, now lost, was released in 1. Ruth Taylor (as Lorelei Lee), who took her role so seriously that as soon as the film was finished she married a millionaire named Paul Zuckerman and never worked again. All their winters were spent in Palm Beach, where Emerson would indulge in social climbing. There Loos met Wilson Mizner, a witty and charming real estate speculator and in some quarters . Loos, starved of intellectual male companionship, was rumored to have stopped just short of having a full- blown affair. Emerson also suffered a return of his imaginary throat ailment, though he recovered quickly after his second round of Viennese . The Emersons had traveled to Hollywood with Loos' new friend, photographer Cecil Beaton. Wilson Mizner had also relocated to Hollywood as a screenwriter. Since Emerson had his own entertainment, Loos was often in the company of Beaton or Mizner. When they returned to New York in the spring of 1. Emerson expressed his unhappiness at her inattention, and the guilt- ridden Loos would spend much more time alone. Not long after, Loos came upon a love letter from one of Emerson's conquests. Apparently Emerson had been describing their marriage as .
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